Another traveler of the wireways.

  • 25 Posts
  • 138 Comments
Joined 1 year ago
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Cake day: June 12th, 2023

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  • To my knowledge, it hasn’t, but that’s not the main point of my comment so much as expressing my distrust of the parent company. In that respect, no, I’m not aiming to make a claim that Meta/Facebook have had to disclose messages from WhatsApp to law enforcement and essentially undermine its end-to-end-encryption.

    Nevertheless, I think it’s reasonable and fair to be suspicious of Meta/Facebook given its history of questionable actions concerning people’s data. They’re in the business of using people’s data for marketing/advertising purposes, not safeguarding it, after all.









  • But I don’t want to seek out shows. There’s very little interesting stuff being released anymore. They ignore making products for groups in favour of making products for everyone, which results in products for no one. I cannot cope with that.

    It seems like some other replies are glossing over this, and here’s the thing: you gotta seek out interesting stuff. Many of the big tech algorithms are focused on the latest, hottest things, sure with some personalization tossed in related to your interests, but still more related to new and popular.

    You want a heap of interesting stuff, you can’t keep following what’s trending, you gotta set out and seek out stuff related to your own interests. Not in a physical sense either, but poking around online.

    Follow a Wikipedia rabbit hole. Find a director/artist you like, look at what else they’ve been involved with or done creatively, check that out however you can, then look at those they’ve collaborated with and if you like their stuff, check out their collaborators’ work, follow the influences and inspirations. You will hit some duds, but you may also find some real gems the algorithms never woulda served up anytime soon.

    What’s more, the further back you dig, the likelier you are to come across that really weird niche work that some folks started out with, that got eyes on them before they may have “sold out” by working on bigger, more mainstream work.


  • Sometimes, yeah, particularly if it was a copy I let someone borrow but they never returned for this or that reason, or if it was a book I initially read through the library and wanted my own copy (digital or physical) to review whenever.

    As of late I’ve been reading more nonfiction though, where one may be more inclined to review them for learning/reference purposes.


  • Beware that iirc, unlike Tor an[d] I2P, Freenet leaks your IP, so I recommend to use a VPN.

    If it’s using basic peer-to-peer tech, I suspect you may be right. Been awhile since I looked into it, and as I recall it wasn’t really built for privacy so much as another way to share info with few limitations (hence the free in freenet), so it’d make sense if it did.


  • Has anyone thought about how we can bring more people over to the Fediverse? My friends and family are all still on the Big Tech platforms like FB and Insta, and I doubt I will be able to convince them to switch over to a Fediverse platform, especially if they themselves don’t see any of their connections using the platform too. How does the Fediverse community plan on attracting more users over?

    This is a common question from newcomers, and it’s not necessarily a bad one, just worth being aware of this to better understand some of the responses you may see. Something else to keep in mind is that there is no collective, united Fediverse community in the way that you might sorta see on some bigger tech platforms (albeit even on those, there’s not really a singular community either).

    What this means is that there’s no combined community effort from folks across the Fediverse to attract new users, and since it’s all loosely connected communities driving it all, there’s no market push to popularize them as you’re more apt to see from the tech industry. In fact, if you wander into some parts of the Fediverse, you’ll find some folks far happier to keep their communities small and to themselves for a variety of reasons, sometimes conflating the tech and their community (i.e. a popularization of Lemmy as tech wouldn’t mean their little Lemmy community instance had to link up with every other one).

    That said, there are also plenty of folks around here interested in the question and planning/discussing drawing in more folks. Some of those discussions being about improvements to the technology to make it less jank and comfortable for less technically inclined users, others about how to present it without getting in the weeds of the tech details, and some just by trying to post interesting/entertaining content to keep folks interested past a glance. There’s as many ways to approach it as there are Fediverse communities, and so there’s not really been any one way that people have been going about it.


  • I generally don’t believe in intellectual property, I think it creates artificial scarcity and limits creativity. Of course the real tragedies in this field have to do with medicine and other serious business.

    But still, artists claiming ownership of their style of painting is fundamentally no different. Why can’t I paint in your style? Do you really own it? Are you suggesting you didn’t base your idea mostly on the work of others, and no one in turn can take your idea, be inspired by it and do with it as they please? Do my means have to be a pencil, why can’t my means be a computer, why not an algorythm?

    Limitations, limitations, limitations. We need to reform our system and make the public domain the standard for ideas (in all their forms). Society doesn’t treat artists properly, I am well aware of that. Generally creative minds are often troubled because they fall outside norms. There are many tragic examples. Also money-wise many artists don’t get enough credit for their contributions to society, but making every idea a restricted area is not the solution.

    People should support the artists they like on a voluntary basis. Pirate the album but go to concerts, pirate the artwork but donate to the artist. And if that doesn’t make you enough money, that’s very unfortunate. But make no mistake: that’s how almost all artists live. Only the top 0.something% actually make enough money by selling their work, and that’s is usually the percentile that’s best at marketing their arts, in other words: it’s usually the industry. The others already depend upon donations or other sources of income.

    We can surely keep art alive, while still removing all these artificial limitations, copying is, was and will never be in any way similar to stealing. Let freedom rule. Join your local pirate party.

    Reformatted for easier readability.


  • Probably all articles I have read on it by mainstream media were somehow wrong. It often feels like reading a political journalist discussing about quantum mechanics.

    Yeah, I view science/tech articles from sources without a tech background this way too. I expected more from this source given that it’s literally MIT Tech Review, much as I’d expect more from other tech/science-focused sources, albeit I’m aware those require scrutiny just as well (e.g. Popular Science, Nature, etc. have spotty records from what I gather).

    Also regarding your last point, I’m increasingly convinced AI creators’ (or at least their business execs/spokespeople) are trying to have their cake and eat it too in terms of how much they claim to not know/understand how their creations work while also promoting how effective it is. On one hand, they genuinely don’t understand some of the results, but on the other, they do know enough of how it works to have an idea of how/why those results came about, however it’s to their advantage to pretend they don’t insofar as it may mitigate their liability/responsibility should the results lead to collateral damage/legal issues.






  • Get a mirror that doubles as a sort of magnifier to view the area around your nose closely & carefully. You’re looking for seams around the nose with which to gain leverage to gently pry off the nose to get better access to the nostrils within & beneath. Once the nose has been popped off your face, you can rinse both it and the exposed nostrils out with some warm water, which should get rid of the dry, compacted mucus.

    You may want to take a soft, thin brush while you’re at this for a more thorough clean. Once both the removed nose and exposed nostrils are cleared to your satisfaction, realign your nose with the seams you found at the start and gently squeeze & press your nose to reconnect it with your face. A light splash of warm water and scrub should help reseal the nose to your face and make the seams less noticeable.

    Hope this helps!